2011 Flute Competition
Repertoire
» General Rules
» Jury
» Competitors
Age category C
First Round
Second Round
3. a work at choice by:
4. first movement from one of the following concertos:
5. a work at the competitor's free choice
Age category D
First Round
Second Round
3. two movements from a sonata at choice by:
Final
5. a virtuosity work at choice by:
6. a concerto at choice by W.A. Mozart
Each competitor must prepare one work from each of the following groups (points). Each round is eliminatory.
Age category C
First Round
- a sonata at choice by J. S. Bach - two movements
- S. Karg-Elert - 30 Caprices - one at choice
N. Paganini - 24 Caprices, op.1 - arr. by Jules Herman
Second Round
3. a work at choice by:
- G. Enescu - Cantabile and Presto
- G. Faure - Fantaisie
- C. Chaminade - Concertino
- J. Haydn, W.A. Mozart, J. Quantz, C. Stamitz, M. Blavet, M. Gretry, L. Boccherini
Age category D
First Round
- two movements from a work at choice by:
- J.S. Bach - Partita for solo flute in A minor BWV 1013
- C. Ph. E. Bach – Sonata for solo flute in A minor Wq 132
Second Round
3. two movements from a sonata at choice by:
- S. Prokofiev, O. Taktakishvili, R. Muczynski, L. Liebermann, W. Piston, A. Jolivet, J. Feld, F. Poulenc, B. Martinu, C. Reinecke, C. M. Widor
- H. Dutilleux – Sonatine
- P. Sancan – Sonatine
- O. Messiaen – Le Merle noir
- F. Martin – Ballade
- A. Jolivet – Chant de Linos
- T. Takemitsu – Voice
- L. Berio – Sequenza
- E. Bozza – Agrestide Op. 44
- C. Halffter – Debla
- A. Vieru – Bacovia Rezonances
- A. Casella – Sicilienne et Burlesque
5. a virtuosity work at choice by:
F. Kuhlau, J. Demersseman, J.L. Tulou, P. Taffanel, F. Doppler,
F. Borne, Th. Böhm, Ph. Gaubert, G. Hüe
6. a concerto at choice by W.A. Mozart
Concerto in G Major KV 313
Concerto in D Major 314
The works in the Final Round must be performed from memory. For all the other works, scores may be used.
The works in the Final Round must be performed from memory. For all the other works, scores may be used.
“I like the idea of Jeunesses Musicales because it makes music accessible to children, allowing young people of modest origins to enter into a Realm that otherwise wouldn’t really be open to them”